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DCIA 1. 1- 0. 3- 0. Newsletter. Oversi Deploys P2. P Network Tool to Complement P4. POversi, a pioneer of over- the- top (OTT) caching and delivery solutions, this week announced the first implementation of its Net.
Enhancer management tool for peer- to- peer (P2. P) traffic. Designed to complement technological advances being developed by the P4.
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P Working Group (P4. PWG), Oversi's Net.
Enhancer optimizes service providers' network resources to accelerate content delivery and provide the best Internet experience for end- users. Net. Enhancer works by automatically routing P2. P traffic to local peers in line with the available network resources of the operator.
David Tolub, Oversi's President & CEO, said, . Net. Enhancer provides a win- win solution, relieving the P2. P burden for operators while increasing customer satisfaction. Our goal is to help bring the potential benefits of P4. P to the real world, under the full control of the service provider. This exemplifies the kind of commercial advancement that the rapidly emerging distributed computing industry needs to continue its steady growth. Speck said the company had completed technical trials and would launch a live trial with an Australian ISP within a month.
The company has briefed the Australian Federal Police and several state police forces. Mr. Speck said the technology works by cross- referencing the unique numerical values associated with content files against a list of proven illegal files provided by various sources. Speck said because there was no Internet- wide surveillance and files were only checked against a predetermined list, the impact on ISP network performance was negligible. Feedback has been consistently positive regarding the very high quality of the keynote addresses and panel sessions.
The archival website now features the opening keynote presentations given by Robert Levitan, CEO, Pando Networks; and Barry Tishgart, VP of Internet Services, Comcast. We have also added the post- conference- luncheon keynote from Joey P., Co- Founder, Brand Asset Digital. In addition, we have posted the afternoon keynote presentations given by Tom Patterson, CEO, Digital Containers; and Eitan Efron, VP of Marketing, Oversi. And finally, we have included the closing keynote by Ronny Golan, Co- Founder & CEO, HIRO Media; and highlights of panel presentations. We also thank the speakers on the DHF Next Generation P2. P panel: Bill Wishon, Director of Marketing, Kontiki; John Jones, Senior Vice President of Programming, Artist and Label Relations, Media. Net; Daniel Leon, Head of Strategic Partnerships, HIRO Media; Patrick Sullivan, CEO, Rights.
Flow; Johan Ryman, Director of Sales & Partnerships, Octoshape; Michael King, CEO, Abacast; and Kevin Bradshaw, COO, Lime. Wire. Bill outlined Kontiki's powering of the BBC i. Player and how this exemplified P2.
P's contribution to solving the content access problem, while P2. P solutions for networking problems and streaming are now in process. In addition to these tracks, the equally important one of optimizing business models must be pursued, and different types of innovation are needed there. While stealing content is clearly wrong, sharing it should be viewed as beneficial, and the emphasis should be on innovation to monetize that behavior. There are particularly promising opportunities in the area of improving metadata and increasing consistency in data recognition.
John explained Media. Net's role as a fulfillment service for large- scale online music distributors, among which P2. P services are a great model for lighter files.
He cited the example of i. Mesh, with which Media. Net works in the delivery of a P2. P- based music subscription offering within a player. Now there is increased interest in streaming super- distribution models. Sharing is part of human behavior, and going against that grain represents a flawed business strategy. What is needed, rather, is to tap into that aspect of distribution in order to monetize it.
Viral market expansion is a key to the business opportunity that has been introduced by P2. P. Daniel noted that with the cost of distribution dramatically reduced by P2. P, HIRO Media's solution that inserts . While there's expediency in web- based rich media content delivery, with high- end quality, downloading P2. P players should not be problematic. Regulatory and judicial activities are not effective in addressing today's principal digital marketplace problem, which is to turn an enormous audience into a profitable revenue stream by leveraging the value of content.
Daniel recounted being thrown out of a content rights holder's office for the audacity of proposing to exploit a phenomenon that the content company was spending millions in an attempt to stop. Patrick defined Rights. Flow as a licensing outsourcer and indicated that it is witnessing a turning point in the independent market as P2. P is being increasingly accepted for its value in promoting and monetizing music. He sees a need in educating the over- 3. P2. P content can be delivered to this segment.
He said the record industry's ineffective emphasis on copyright enforcement is reminiscent of the tale of an executioner executing himself to prove the point that his apparatus worked. What is needed is work on defining the optimal consumer offer to profitably meet demand. To accelerate progress, business decision makers need to exert their leadership and get more involved until new model(s) have been established, rather than delegating to attorneys orders to defend old models. Massive infringement traditionally has indicated the potential for and led to the establisment of major media markets.
Johan introduced Octoshape as a provider of live P2. P streaming that can serve as a content delivery network (CDN) or work with other CDNs and provide unprecedented scalability to broadcasters and other content rights holders. With content driving demand as much as it is, distributed delivery technologies will be the most practical, and while there will always be some level of infringement, innovation and flexibility can leverage the problem to minimize it.
More experimentation is needed with a greater variety of P2. P- based business model implementations to determine the most effective approaches. Mike described Abacast as a hybrid CDN, combining the advantages of P2. P, both for live streaming and on- demand downloads, with unicasting. There is a huge gap currently between what traditional CDNs can deliver and the need created by masses coming online to do video, which P2.
P is in a position to solve. He sees targeted advertising as the most promising business model. Regardless of P2. P's legacy as a tool for infringement, it is time to move ahead with solutions that work for all participants in the distribution chain. Trade associations like the DCIA can be particularly useful in this regard, and working groups, such as its P4. P Working Group (P4.
PWG), which has brought ISPs and P2. Ps together to improve network efficiency, can be effective in solving related problems. Nevertheless, the company is more of a technology provider and less of a media company, and is looking to partner with media experts to monetize the traffic generated by its highly popular software. He noted that Comedy Central has just entered into an agreement with the company and is hopeful that its participation will help optimize a profitable business model. There is no doubt that there are complex challenges, but with an aggregated audience of this scale, there has to be a business there. Imagine what could be accomplished if both sides of the continuing conflict reduced their legal costs and invested more in exploring potential business solutions. Audience Q& A ranged from eliciting comments from a record industry executive who voiced frustration at the pace at which content monetization is advancing in this channel, to fostering a discussion on the strategic question of how to introduce infringement- filtering into a P2.
P client without driving monetizable traffic to alternative sources. The consensus was that wide- scale coordination is needed in order to do this effectively.
Share wisely, and take care. The P2. P Debate Rages on in Hollywood. Excerpted from Internet News Report by David Miller. P2. P - friend or foe of the entertainment industry? The battle raged on at Digital Hollywood Fall Thursday, with plenty of sometimes rowdy audience participation at a mid- day panel discussion. After listening to an hour of enthusiastic support for P2. P, a visibly frustrated David Bean, consultant to recording artists and former President of jazz label CTI Records, stood up and shared his real feelings on P2.
P networks with the assembled crowd. You keep telling us what it's going to do for us, but it's done nothing for the record industry. Emotions continued to run high at times as new and old media titans clashed during Next Generation P2. P for Music, TV and Film - DRM, Paid for Pass- Along, Ad- Based, and Other Legal Distributed Computing Models and the Entertainment Industries.
Bill Wishon, Director of Marketing for Kontiki, said that P2. P solved the content access problem for consumers, enabling them to get music and movies that they couldn't find at all or in the format of their choice through traditional channels.
Wishon believes that legitimate use of P2. P, that is, using P2. P as a platform to distribute content with its owner's approval, is growing. He also pointed out that there's a strong business model in place: people can buy the content they want, subscribe, or P2. P can be ad- supported.
Panelists also praised P2. P for reducing costs of distribution, and suggested that since content is already moving freely among users, the entertainment industry should focus on protecting revenue rather than protecting the content itself. One way to do this would be to insert advertising into the content, and let people freely share the ad- laden files.